Rudimentary Peni
No More Pain EP (Southern). Review by Matthew Moyer.
No More Pain EP (Southern). Review by Matthew Moyer.
If That Is What Is Being Thought… (Status Quo). Review by Carl F Gauze.
Fast>Future>Present (54, 40, or Fight!). Review by Daniel Mitchell.
Evergreen [Reissue] (Temporary Residence). Review by Aaron Shaul.
Evergreen [Reissue] (Temporary Residence). Review by Aaron Shaul.
The Heart, The Product, The Machine, and The Asshole (Midriff). Review by Marty Pursley.
Flattening Mountains and Creating Empires (Redwood Records). Review by Daniel Mitchell.
Motion and Rest (54 40’ or Fight!). Review by Daniel Mitchell.
Motors Into The Drink (Kill the Bunny). Review by Stein Haukland.
We Need A Hill (Keep Safe). Review by Stein Haukland.
Good Morning, Mr. Good. (54, 40’ or Fight!). Review by Daniel Mitchell.
three-four (Quarterstick Records). Review by Rob Walsh.
Pajama Avenue (Loose Thread). Review by Stein Haukland.
Crime In Choir (Omnibus). Review by Stein Haukland.
Small m Manifesto (Matlock). Review by Stein Haukland.
Lineaments (Emperor Jones). Review by Stein Haukland.
A Rotation of Thoughts and Themes (Caulfield). Review by Daniel L. Mitchell.
From his teen days in Squirrel Bait through stints with Slint and Gastr Del Sol and on to his solo work for Drag City, David Grubbs has long been an innovator in music. Nirav Soni spoke with Grubbs about improvisation, collaborations, Indian music, and the Beach Boys.
Don’t call them math-rock, and don’t compare them to Slint, because you won’t be doing justice to the lush and understated beauty of the Mercury Program. Nirav Soni chairs a roundtable discussion with all four members of the atmospheric and critically acclaimed Gainesville quartet.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.