The Music Lovers
The Words We Say Before We Sleep (Marriage Records). Review by Ben Varkentine.
The Words We Say Before We Sleep (Marriage Records). Review by Ben Varkentine.
Blue (). Review by Ben Varkentine.
The Bacon Brothers,Live – No Food Jokes Tour,Image Entertainment ,Andrew Ellis
Live – No Food Jokes Tour (Image). Review by Andrew Ellis.
Maxeen (Side One Dummy). Review by Daniel Mitchell.
Maxeen (Side One Dummy). Review by Daniel Mitchell.
Soundtrack (Capitol). Review by Ben Varkentine.
Heavier Things (Aware). Review by Sean Slone.
Remixed 2 (Verve). Review by Ben Varkentine.
Any Given Thursday (Aware/Columbia). Review by Dan Stapleton.
Fly Below the Radar (Food Chain). Review by Sean Slone.
The New Song (Townhall / Redeye). Review by Stein Haukland.
Human Conditions (Virgin). Review by Sean Slone.
Between his music and photography, how does ex-Police guitarist Andy Summers find time to get in trouble with Mexican drug cartel heavies? Ian Koss uncovers the story.
Signs Of Passing (Stone Circle). Review by Stein Haukland.
Sing (Sparrow). Review by Daniel Mitchell.
Steve Stav finds himself tongue-tied when he engages his favorite chanteuse-next-door in a revealing Q&A.
Jools Holland’s Big Band Rhythm + Blues (Rhino). Review by Ian Koss.
…All This Time (AMC). Review by Vanessa Bormann.
Christopher R. Weingarten gets a few words with the punk rocker most hated by his own community, the “Atom” half of Atom and His Package, Adam Goren. The Package, alas, remains unavailable for comment.
Over There: Live at the Venue, London - The Complete Concert (Liberation Hall). Review by Bob Pomeroy.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.