Ben Watt
Hendra (Unmade Road). Review by Michelle Wilson.
Hendra (Unmade Road). Review by Michelle Wilson.
Stories, No Names. Review by Carl F Gauze.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Black Magic Show (Kemado/Hollywood). Review by Jen Cray.
Sleepwalker (Universal). Review by Andrew Ellis.
Radio One Sessions (Koch). Review by Daniel Mitchell.
Thank You, Goodnight (Octone ). Review by Terry Eagan.
Sarah Veladora (self-released). Review by Stein Haukland.
Anyone (Roadrunner). Review by Stein Haukland.
Night On Earth (Eagle). Review by Randall J. Stephens.
Exit Now (File 13). Review by Randall Stephens.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.
Rad Brown and Buffalo Stille (Nappy Roots) premiere their second single from forthcoming LP Upper Crust Confections, “Only Love,” today at Ink 19.