Ben Watt
Hendra (Unmade Road). Review by Michelle Wilson.
Hendra (Unmade Road). Review by Michelle Wilson.
Stories, No Names. Review by Carl F Gauze.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Black Magic Show (Kemado/Hollywood). Review by Jen Cray.
Sleepwalker (Universal). Review by Andrew Ellis.
Radio One Sessions (Koch). Review by Daniel Mitchell.
Thank You, Goodnight (Octone ). Review by Terry Eagan.
Sarah Veladora (self-released). Review by Stein Haukland.
Anyone (Roadrunner). Review by Stein Haukland.
Night On Earth (Eagle). Review by Randall J. Stephens.
Exit Now (File 13). Review by Randall Stephens.
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.