Mixtape 138 :: Political Song
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Supremely independent for going on three decades, Superchunk’s incisive nervous energy is still one of the purest indie highs you can find.
Tonight’s No Good for Me (6131 Records). Review by Scott Adams.
Kids dream of Christmas morning, but for many - including Jen Cray - THE FEST is the most treasured of annual holidays.
No coast (Top Shelf Records). Review by Daniel Mitchell.
Foolish (Merge Records). Review by Laura Pontillo.
With a riotous sonic assault that nearly brought down the balcony at the Bowery Ballroom, Superchunk showed they still have the fire and intensity of their youth, kicking out the jams, shredding the wallpaper, and bringing the noise to a very enthusiastic crowd that included Jeff Schweers.
Duck Kee Sessions EP (CyTunes.org). Review by Eric J. Iannelli.
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
Brand New and Thrice play the first of a pair of sold-out Orlando dates.
Popular Songs (Matador Records). Review by Laura Pontillo.
Leaves in the Gutter (Merge). Review by Laura Pontillo.
Ghosts in the City (24 Hour Service Station). Review by Jen Cray.
Live at the Horseshoe Tavern (Wigwam). Review by Aaron Shaul.
Mind Is Not Brain (Silverthree Sound). Review by Eric J. Iannelli.
Old Enough 2 Know Better: 15 Years of Merge Records (Merge). Review by Aaron Shaul.
Autumn Was A Lark (Merge). Review by Stein Haukland.
Sing Me a Song (Sonic Boomerang). Review by Terry Eagan.
Split 7” (Pidgeon English). Review by Daniel Mitchell.
Nuclear War (Matador). Review by Rob Walsh.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.