The Cranberries
Something Else (BMG). Review by Jen Cray.
Something Else (BMG). Review by Jen Cray.
Mitski brings her stark bedroom pop to Orlando’s BackBooth, but Jen Cray finds openers Fear of Men and Weaves more delighting.
Apocalyptica class up heavy metal with their unique triple cello approach, and Jen Cray is awed.
Music of Ireland: Welcome to America (Elevation Management). Review by Tim Wardyn.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.
Everybody, Come Outside! (Lujo). Review by Carl F Gauze.
The Forms (Threespheres). Review by Jen Cray.
Summerbirds In the Cellar have developed such a large Orlando following that the cd release party for their long-awaited sophomore disc, Druids, demanded not one but two shows. Jen Cray dropped in for the early show.
Under My Skin (Arista). Review by Aaron Shaul.
Wake Up and Smell the Coffee (MCA). Review by Julio Diaz.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.