The Nude Party (New West). Review by Bob Pomeroy.
Motobunny (Rusty Knuckles). Review by Jen Cray.
Hi Honey (Contender Records). Review by Jen Cray.
Going Way Out With Heavy Trash (Yep Roc). Review by Jen Cray.
The Detroit Cobras are all about reviving the essence of early rock ‘n’ roll, from the rockabilly roots of the 50’s to the soulful days of Motown. Jen Cray catches up with them in Orlando.
A double bill of white boy blues rock starring The Black Keys and The Hentchmen, and Jen Cray reveals her long-obvious crush for Detroit.
Voice of Treason (Sanctuary). Review by Jen Cray.
Alive & Amplified (Columbia). Review by Jen Cray.
FormFollowsFunction (Time Beach Records). Review by Jen Cray.
Tom “Tearaway” Schulte plows through new releases by Thee Michelle Gun Elephant, James “Blood” Ulmer, 3 Mustaphas 3, Will Haven and scores of other worthies. He’s a trooper.
Horndog Fest (In The Red). Review by Charles D.J. Deppner
From an underground band that pioneered the thrash metal sound, to arguably the biggest rock act in the new millennium, Metallica has had a long and tumultuous history. Ben Apatoff scours a myriad of sources to catalog this history in his new book.
Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.
A woofin’ good time with cuts from Hank Williams, Muddy Waters, Delta Moon and more from KMRD 96.9, Madrid, New Mexico!
Absurdism with a healthy dose of air conditioning.
Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.
Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.
A classic children’s tale re-imagined by America’s greatest composers.
