Colin Hay
I Just Don’t Know What To Do With Myself (Compass Records). Review by Joe Frietze.
I Just Don’t Know What To Do With Myself (Compass Records). Review by Joe Frietze.
As this 1978 Dallas concert shows, when the Rolling Stones are good, they are very, very good. James Mann says turn it up!
Gail Worley talks with drummer Paul Cook of Sex Pistols and Manraze.
Goodbye, Killer (Ashmont Records). Review by Sean Slone.
James McMurtry sings about economic struggle, working class woes, and corrupt governments. Jen Cray was not the only Orlando fan who found his Southern Gothic folk rock soothing this holiday season.
Just Us Kids (Lightning Rod). Review by Sean Slone.
Youth & Young Manhood (RCA). Review by Sean Slone.
From Howlin’ Wolf to the Small Faces to Billy Bragg. One man has made the Hammond B-3 hoot and holler with all three – Steve Stav introduces us to the many faces of Ian McLagan.
Reason To Believe: The Complete Mercury Studio Recordings (Universal). Review by James Mann.
Tommy Rivers & the Raw Ramps (December). Review by James Mann.
Custom/10 (self-released). Review by James Mann.
In an unconventional interview, Gail Worley gets an in-depth, song-by-song look at the influences that inspire Buckcherry guitarist Keith Nelson. His answers just may surprise you!
Human (Atlantic). Review by Vanessa Bormann.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.