Being Dead
EELS (Bayonet). Review by Julius C. Lacking.
EELS (Bayonet). Review by Julius C. Lacking.
For quite some time, the Mommyheads have delivered the sort of complex pop and lyrical insight that fills in the cracks and gaps in your musical thinking with new ideas and sounds.
Double Date With Death are loud and Canadian, and they don’t care if you don’t understand their French howling. They have a double date to get to.
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
A delay in a pair of reissued albums finds Sebadoh touring to promote a t-shirt. The seminal indie rockers could be promoting a paper bag for all it matters to a crowd of loyal Orlando fans, Jen Cray among them.
With a stage show more akin to performance art than rock concert, Of Montreal is anything but subtle. Jen Cray did not wear a pink leotard or face paint to the Orlando show, but she enjoyed it all the same.
Applause Cheer Boo Hiss (Rebel Group). Review by Jen Cray.
The enigmatic Deadboy and the Elephantmen steal the show from The Fiery Furnaces and Jen Cray files a police report.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.