Being Dead
EELS (Bayonet). Review by Julius C. Lacking.
EELS (Bayonet). Review by Julius C. Lacking.
For quite some time, the Mommyheads have delivered the sort of complex pop and lyrical insight that fills in the cracks and gaps in your musical thinking with new ideas and sounds.
Double Date With Death are loud and Canadian, and they don’t care if you don’t understand their French howling. They have a double date to get to.
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
A delay in a pair of reissued albums finds Sebadoh touring to promote a t-shirt. The seminal indie rockers could be promoting a paper bag for all it matters to a crowd of loyal Orlando fans, Jen Cray among them.
With a stage show more akin to performance art than rock concert, Of Montreal is anything but subtle. Jen Cray did not wear a pink leotard or face paint to the Orlando show, but she enjoyed it all the same.
Applause Cheer Boo Hiss (Rebel Group). Review by Jen Cray.
The enigmatic Deadboy and the Elephantmen steal the show from The Fiery Furnaces and Jen Cray files a police report.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.