Andrew Toy
Guardrails. Review by Bob Pomeroy.
Guardrails. Review by Bob Pomeroy.
Illinois River Valley Blues (Thrill Jockey). Review by Bob Pomeroy.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Invisible Cities (Ubiquity). Review by Aaron Shaul.
Passages (Full Bleed Music). Review by Aaron Shaul.
Look Around (Innova). Review by Aaron Shaul.
What Sequel? (Pravda). Review by Aaron Shaul.
Along the Quai (Team Love). Review by Aaron Shaul.
Casually Smashed To Pieces (Suicide Squeeze). Review by Jen Cray.
City Vs Country (Ghostly International). Review by Aaron Shaul.
Absolute Noon (Hometapes). Review by Aaron Shaul.
Speckly (Aum Fidelity). Review by Bob Pomeroy.
La Fin Du Monde (Boompa). Review by Kiran Aditham.
Rule #3 (Submergence). Review by Aaron Shaul.
Everything’s a Love Letter (Preservation). Review by Aaron Shaul.
Flies the Field (Quarterstick). Review by Aaron Shaul.
Here Comes Everyone (Polyvinyl). Review by Aaron Shaul.
Who’s Your New Professor (Thrill Jockey). Review by Aaron Shaul.
Radical Connector (Thrill Jockey). Review by Aaron Shaul.
La Increible Aventura (Acuarela). Review by Aaron Shaul.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.