Tag: Woodstock

Brown Acid

Brown Acid

Music Reviews

The 11th Trip (Riding Easy Records). Review by Carl F. Gauze.

Johnny Winter

Features

Johnny Winter has passed. But his blues will never leave us. James Mann recalls the Texas guitarist.

Relix: The Book

Print Reviews

Relive the decade no one claims to remember through this retrospective of Relix, a magazine that revolved around the Grateful Dead.

By The Time We Got To Woodstock

Print Reviews

Veteran Rock and Roll Journalist Bruce Pollack rehashes all the significant songs and stories that led to the 1969 Woodstock Festival. Carl F Gauze is not impressed.

Woodstock Vision

Print Reviews

This expanded edition of Elliot Landy’s rock photography collection Woodstock Vision has Matthew Moyer thinking of heading up north to chop firewood with Garth Hudson.

Alice Fantastic

Print Reviews

Three women deal with stray dogs and dysfunctional relations, then one of them dies and everyone else cries. Obviously, Carl F Gauze isn’t feeling Maggie Estep’s new novel.

Canned Heat

Music Reviews

Canned Heat 1969-1999: The Boogie House Tapes Volume 2 (Ruf Records). Review by Carl F Gauze.

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Garage Sale Vinyl

Garage Sale Vinyl

Print Reviews

Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.

Greg Hoy

Greg Hoy

Interviews

Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.

Joe Jackson

Joe Jackson

Event Reviews

Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.

Matías Meyer

Matías Meyer

Interviews

With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.