In the Line of Duty: Royal Warriors and Yes, Madam!
A pair of early “girls with guns” action films from superstars Michelle Yeoh and Cynthia Rothrock have arrived from 88 Films.
A pair of early “girls with guns” action films from superstars Michelle Yeoh and Cynthia Rothrock have arrived from 88 Films.
A very focused memoir of a singular year in Robyn Hitchcock’s early life provides Ian Koss with insight on basement Happenings and more.
A wild speakeasy and a night of debauchery.
Watch a musical theater career fly by, in reverse.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
Tony-nominated smash success Stereophonic delivers a brand-new Broadway cast recording — straight from 1976.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
First Single “Dump It” from TRF Boog’s forthcoming ME vs ME LP premieres today, at Ink 19.
Veteran Tokyo punk band Melt-Banana brings Tomato Flower and Baby; Baby: Explores the Reasons Why that Gum is Still on the Sidewalk to Denver, Colorado, for an all-out punk feast. Meow.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.
Desert Run. Review by Bob Pomeroy.
Rhumba Country (New West Records). Review by Steven Cruse.
“Quality Pints” (Sub Pop). Review by Steven Cruse.
Inside Out (Mojotown Records). Review by Randy Radic.
Tipish. Review by Carl F. Gauze.
Trail of Flowers (Rounder Records). Review by Christopher Long.
Something Strange. Review by Carl F. Gauze.
POPtical Illusion (Domino). Review by Bob Pomeroy.
Good Trouble (Palmetto). Review by Bob Pomeroy.
The Return of Tomorrow (At The Dojo Records). Review by Steven Garnett.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
I Love You (Party Mermaid Records). Review by Bob Pomeroy.
Stands for deciBels (Propeller Sound Recordings). Review by Bob Pomeroy.
Harmonimonk (Random Chance Records). Review by Bob Pomeroy.
Duke’s Place (Mercer Hassy Records). Review by Bob Pomeroy.
Broken Telephone (Madjack Records). Review by Randy Radic.
Actually, the quiet is nice (Julia’s War). Review by Steven Cruse.
Tales Of Treason (Pirates Press Records). Review by Bob Pomeroy.
Africa 80 (Omnivore Records). Review by Bob Pomeroy.
Instagram Success (Waterloo 103 Music). Review by Randy Radic.
A tale of dissolution and vengeance set in the Old West, told Italian style.
Live at Antones Vol. 1/Pinetop’s Boogie Woogie (New West Records). Review by James Mann.
Mac DeMarco and his crew of misfits brought good tunes and a good time to Portland, Oregon. Alexa Harris was all smiles.
Rio en Medio Radio (WW Recordings). Review by James Mann.