Wilco

Wilco

Wilco

Chicago, IL • October 19, 2009

Touring is not a sprint. It’s a long, tiring and exhausting marathon. But if you end up at home the payoff is worth it. Don’t believe me? Just ask Wilco.

Jeff Tweedy

Colleen Catania
Jeff Tweedy

Starting off this last show of their North American Wilco (The Album) tour, front man Jeff Tweedy spoke for the entire band and confessed unashamedly that “We’re all very tired and glad to be home.” Though Wilco’s physical stamina levels were low, they showed no signs of sonic or musical fatigue. They joked, wooed, and played their hearts out turning the show into a two-hour personification of the lyrics from “Wilco (The Song)” as Tweedy crooned “Wilco loves you, baby.”

Moving from smaller venues like the Aragon or Auditorium theatre, Wilco played an arena in Chicago for the very first time. The UIC Pavilion presented a new dynamic to their pioneering mix of alt-country, rock, and pop-folk ballads. It wasn’t as cozy as previous shows, but the spacious sports complex gave fans plenty of room to stretch out — although those on the main floor clumped closely towards the stage for maximum intimacy.

With a hint of humor, Wilco walked on stage to the tune of “The Price is Right” theme song playing on the PA. Then two songs in, the ominous electronic piano progressions of “Bull Black Nova” unfurled, giving way to an explosion of tangled guitars and drums and releasing magnificent waves of anxiety, terror, tension, and confusion on the crowd. It was as if they were finishing the story started on A Ghost Is Born‘s “Spiders (Kidsmoke).”

Wilco

Colleen Catania
Wilco

This show didn’t sell out like Sunday’s did, which gave Tweedy a humorous angle to connect with fans, telling them, “This is the first time ever we’ve invited anybody who wanted to come see us play… There’s plenty of seats available.”

A gorgeous moment blossomed during “Jesus Etc.” when Tweedy let fans handle most of the vocals. They filled the Pavilion like they had been with Wilco for the whole tour as a traveling choir. Tweedy loved the fans’ performance and created a bit of good-humored animosity saying, “This night’s crowd is far superior; [it’s] as if last night’s crowd didn’t even know the words.” Later he also tossed a Wilco (the Album) LP into the crowd — that was instantly snatched up.

For two hours it was vintage Wilco. And aside from the “new” songs, the show didn’t present anything that I haven’t seen or experienced at a Wilco concert before. But still, it was nothing short of superb.

And I’m starting to wonder if Wilco will ever play a bad show. Because after seeing them on this tour there are a lot of reasons why I’d consider them one of the best live bands today, if not the last ten years. Like on the new album, there weren’t any big surprises or jarringly new songwriting explorations.

Jeff Tweedy

Colleen Catania
Jeff Tweedy

Yet what makes Wilco such a subtle yet overpoweringly excellent live band is their mix of musical precision, chemistry, and warmth. Tweedy weaves joy, misery, and hope into one verse and finds ways to interact with the fans by just being his goofy, quirky, and lovable self; meanwhile, Glenn Kotche (one the best drummers playing today) and the others players embrace the low profile and continue to sharpen and explore their craft. The fact that they’ve been at it for 15 years (the current lineup for four years) is testament to the fact that they don’t see touring and making music as a sprint, but a marathon.

With another solid album behind them and the live show nearly mastered, I wonder what’s next for Wilco. Will they continue with all the current members? Will Tweedy experiment with a new songwriting style? Will Kotche still have that a massive gong behind him on the next tour?

Whatever they do and wherever they take the next album, I’m sure that old fans will follow and new ones will be gained too. And maybe they’ll fill up the UIC Pavilion on both nights the next time around.

Wilco: www.wilcoworld.net

Leave a Comment

Your email address will not be published. Required fields are marked with *

Cancel reply

Recently on Ink 19...

  • Preservation Hall Jazz Band
    Preservation Hall Jazz Band

    So It Is (Legacy). Review by Bob Pomeroy.

  • From Montenegro to Moldova: The Best of SEEFest 2017
    From Montenegro to Moldova: The Best of SEEFest 2017

    For the twelfth year, the South East European Film Festival (SEEfest) in Los Angeles showcased an impressive lineup of new features and shorts. Lily and Generoso Fierro provide a festival wrap up and their picks for the films that you cannot miss.

  • Justin Townes Earle
    Justin Townes Earle

    Kids In The Street (New West Records). Review by James Mann.

  • Christian Scott
    Christian Scott

    Rebel Ruler (Ropeadope / Stretch Music). Review by Bob Pomeroy.

  • Kivanç Sezer
    Kivanç Sezer

    Turkish director Kivanç Sezer’s powerful debut feature, My Father’s Wings, puts the spotlight on the workplace safety crisis that is currently taking place in his homeland. Lily and Generoso Fierro spoke with Sezer at SEEFest 2017 about his film and his need to draw attention to this issue.

  • Temples
    Temples

    Supporting their just-released sophomore record, UK synth-pop poster boys, Temples, attracted an SRO crowd to one of Orlando’s premier nightspots.

  • Rat Film
    Rat Film

    Baltimore. Rats. A match made in Maryland.

  • Bishop Briggs
    Bishop Briggs

    Bishop Briggs brings a stacked bill of up and comers to Orlando for a sold-out party at The Social. Jen Cray joins in the fun.

  • Rumble: The Indians Who Rocked The World
    Rumble: The Indians Who Rocked The World

    There’s more than black music influencing the evolution of Rock and Roll. Native American rhymes and ideas are every bit as significant, once you know to look for them.

  • Keith Morris
    Keith Morris

    Ink 19 slings a few questions to the punk rock pioneer Keith Morris on Trump, Calexit and looking back.

From the Archives