Voice of Addiction
As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.
As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.
A recent Gayngs concert in Chicago swept Chris Catania up in its euphoric blurring of musical lines.
Beats Antique brought a little bit of mystical gypsy jazz fusion to Chicago. Chris Catania found himself lost in the glorious world of belly dancing and twirling bodies.
Tim Fite demonstrates to a Chicago crowd that a spoonful of sugar really does help the medicine go down.
Beach House lull a sold-out Chicago crowd into a pleasurable trance before sending them home to conjugate their shared ecstasy.
Polysics pick up where Devo left off, only they do it a whole lot weirder.
Brother Ali raps more gratitude than attitude, sending a refreshing surge of celebration through Chicago’s Metro.
Wilco wraps up a marathon North American tour at home in Chicago with the usual mix of musical precision, chemistry, and warmth.
Miike Snow treats Chicago fans, including our own Chris Catania , to an early Halloween show.
For its fourth year the Pitchfork Music Festival proves to Chris Catania, and about 20,000 fans, that it can deliver the goods as well as the big guys.
Rock the Bells kicked off its 2009 hip-hop festival tour in Chicago – just two days after Michael Jackson’s sudden death. Chris Catania took in this year’s finest while ruminating on the psychology of a crowd in mourning.
M. Ward suspends time and lifts Chicago, and Chris Catania , up in the warm embrace of his timeless music.
Lady Sovereign may have matured since parting ways with Def Jam records, but she recently proved to both Chicago and our own Chris Catania that she’s still the “biggest midget in the game.”
DJ Anthony Davis and Sean Daley bring a golden carnival of Atmosphere to Chicago.
Chris Catania gets in touch with his feminist side at Chicago’s DeciBelle Festival.
Chris Catania makes it through a weekend of punk, rock, hip hop, sweat, and garbage cans without having his head mistaken for a hi-hat.
Despite being sunkissed by Spiritualized and bum rushed by Public Enemy , Chris Catania is distinctly underwhelmed by this year’s Pitchfork Festival.
At the Kooks’ Chicago tour stop, Chris Catania sees that there may indeed be something wrong with a lil’ (too much) bump n’ grind.
Chris Catania gets a raucous introduction to the summer camp experience, by way of Wayne Coyne’s glorious teeth.
Dave Mustaine and his once trailblazing Megadeth seem to be facing the quandary of many “classic” acts, an audience that wants you frozen in time and the creeping realization that your best songs are behind you. Nostalgia may sell, but Chris Catania ain’t buying.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.