- Print Reviews
- December 11, 2019
A love of gospel music gave Art Rupe his start in the music business. It lead to Specialty Records and his cast of Hall of Famers.
A bastion of the Texas Two Step fights off the real estate boom in Austin Texas.
Beach House play with darkness to welcome a sold-out Orlando audience into their dreamworld. Jen Cray got swept up.
The Story of My Life (Orleans Records). Review by Michelle Wilson.
Créatures (Rhyme and Reason). Review by Bob Pomeroy.
Michelle Wilson gives tribute to the voice of an angel. Gregg Allman, RIP.
So It Is (Legacy). Review by Bob Pomeroy.
Kids In The Street (New West Records). Review by James Mann.
For the twelfth year, the South East European Film Festival (SEEfest) in Los Angeles showcased an impressive lineup of new features and shorts. Lily and Generoso Fierro provide a festival wrap up and their picks for the films that you cannot miss.
Rebel Ruler (Ropeadope / Stretch Music). Review by Bob Pomeroy.
Turkish director Kivanç Sezer’s powerful debut feature, My Father’s Wings, puts the spotlight on the workplace safety crisis that is currently taking place in his homeland. Lily and Generoso Fierro spoke with Sezer at SEEFest 2017 about his film and his need to draw attention to this issue.
Baltimore. Rats. A match made in Maryland.
Ink 19 slings a few questions to the punk rock pioneer Keith Morris on Trump, Calexit and looking back.
Soul Understated was a swizzle stick of jazz, funk, pop with a dash of Radiohead in the delightful DC cocktail.
That Trip We Took With Dad is the debut feature by acclaimed Romanian short film director Anca Miruna Lǎzǎrescu. Generoso Fierro sat down with Lǎzǎrescu during SEEFest to discuss the comedy and drama within the adaptation of her deeply personal family story for the screen.
The Book Of Wind (Glacial Movements). Review by Carl F Gauze.
The music biz collides with the mob in this documentary chronicling the fast and dangerous life of legendary ’60s songwriter, producer, record mogul, Bert Berns.
Time Bomb (Twin/Tone). Review by Scott Adams.