The Alrights
High School (City Canyon). Review by Jen Cray.
Music, media, and thought from the Ink 19 editorial team
High School (City Canyon). Review by Jen Cray.
For a band that is less than two years old, the guys of A Paper Tiger know what they’re doing when it comes to music– and they’re doing it extremely well. Brittany Sturges catches up with the band over a cup of coffee and some food.
WW1 (Merge). Review by Aaron Shaul.
Offshore (Secretly Canadian). Review by Aaron Shaul.
The Ouch. The Touch (Cherrytree). Review by Aaron Shaul.
Small stage or large, the brilliantly weird rock sounds of the Yeah Yeah Yeahs - and the over the top charisma of Karen O- did not fail in turning Jen Cray into a screaming fan.
Sophomore Jinx (Sonic Smack Records). Review by Kyrby Raine.
En El Patio Interior (Acuarela). Review by Aaron Shaul.
Two nerds hold a mock trial to determine the merits of George Lucas’s most popular creation. The result is somewhere between Night Court and A Few Good Men. James Greene Jr. is our court reporter for the day.
Nisht Azoy (Constellation). Review by Aaron Shaul.
Body & Soul (Self released). Review by Kyrby Raine.
Sport (Sick Room). Review by Aaron Shaul.
On this, the 2nd annual Gigantour, Megadeth took out a cast of new and old metal acts. Jen Cray found her place admist a sea of headbangers.
3WD (Gravitation). Review by Aaron Shaul.
Translation (Foreverything Records). Review by Andrew Ellis.
Exploration (New West). Review by Aaron Shaul.
Strike Anywhere plus Bane… the perfect combination of hardcore and politi-punk for Jen Cray to shake out the frustrations of a long week to.
Page Hamilton, frontman of the seminal metal/hardcore outfit Helmet spent some phone time talking with Jen Cray about label execs who piss him off, bands you may be surprised that he likes, and how all he really wants to do is make music.
The frontman of a hugely popular rock band is found dead by a shotgun wound. Sound familiar? It’s also the beginning of rock writer James Greer’s elliptical new novel. And, as Sheila Scoville finds out, any resemblance to actual events or people is entirely purposeful.
Ever heard of Aberdeen City or The Blue Van? Neither had Jen Cray , but if her predictions are correct, you soon will.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.