The glass bottom boat of the cultural press
This week, Christopher Long travels with the GF to a used record joint down in Vero Beach, Florida, and discovers a TRUE gem in a Dollar Box: a MINT-condition vinyl copy of The Rose, the platinum-selling 1979 movie soundtrack album from Bette Midler.
To commemorate the 20th installment of his weekly series, Ink 19’s Christopher Long revisits one of his all-time favorite records, Anything Is Possible, the sparkling 1990 studio set from Debbie Gibson.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
99 Cents (Atlantic Records). Review by Jen Cray.
Gold Medal (Atlantic Records). Review by Andrew Ellis.
You Come Before You (Atlantic). Review by Daniel Mitchell.
Truthless Heroes (Atlantic). Review by Daniel Mitchell.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.