- Screen Reviews
- August 4, 2020
In rural England, a cranky woman bonds with and evacuee boy and uncovers a strange connection to her past.
It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.
Raw Wave (Dirtnap). Review by Jen Cray.
Anthology – Volume 1 (Westworld Recordings). Review by Carl F Gauze.
Gail Worley talks with drummer Paul Cook of Sex Pistols and Manraze.
The history of teeny, tiny labels that launched some really big bands. Before the out-crowd became the in-crowd.
No Hope No Future (Brille Records). Review by Carl F Gauze.
Mini-LP (Bright Antenna). Review by Carl F Gauze.
Matador Singles ’08 (Matador). Review by Scott Adams.
Living In The Future (Dirtnap Records). Review by Carl F Gauze.
The four perfectionists who run the Summerbirds In The Cellar machine consistently put on the best show of any Central Florida band I’ve seen. Billed behind them on a late night gig at Orlando’s BackBooth was Attached Hands, For Ex Lovers Only, Derek Lyn Plastic. Staying until the very late, late end was Jen Cray.
Entomology (Domino). Review by Rob Levy.
Little Steven’s Underground Garage-A-Go-Go’s 4th of July event at Tampa’s Hard Rock Casino featured Buzzcocks, The Chesterfield Kings, The Gore Gore Girls, Fortune & Maltese, and The Unrequited Loves. It wasn’t a tour, it wasn’t a private event, it was free, and Jen Cray was there.
The Real New Fall LP (Narnack). Review by Aaron Shaul.
Power Pop,Post-punk,Paris Texas,Like You Like An Arsonist,New Line Records,Daniel Mitchell
Like You Like An Arsonist (New Line). Review by Daniel Mitchell.
Saint Something (My Pal God Records). Review by Daniel Mitchell.
HotSocky (Billtown USA). Review by — Gail Worley.
Indian Summer (Satellite). Review by Gail Worley.
A clothing line based on his tattoos. A new band. A new dedication for his instrument. Mötley Crüe bassist Nikki Sixx skips the past and talks about present projects and a future of cracking coconuts on the beach. Gail Worley digs up the dirt.
Cyanide (Self Released). Review by Gail Worley.