• Crystal Gayle

    Crystal Gayle

    You Don’t Know Me (Southpaw Musical Productions). Review by Christopher Long.

  • The RockNRoll Chorus (Summer Tour 2019)

    The RockNRoll Chorus (Summer Tour 2019)

    600 miles. 18 hours. 10 cans of Monster. 3 tanks of gas. 2 Anthrax CDs. For Christopher Long there was 1 mission – to see the RockNRoll Chorus live in concert. Hard core. It’s how we roll.

  • Signs of Life

    Signs of Life

    Popping off rapid-fire “gotchas” from start to finish, Creston Mapes possesses precision marksmanship — paralyzing readers with each page of his latest thriller, “Signs of Life.”

  • Live from the Beacon Theatre

    Live from the Beacon Theatre

    Captured live onstage in front of 3,000 fervent fans at NYC’s legendary Beacon Theatre, the Doobie Brothers’ latest offering is a superb production. Come for the music, but stay for – the music.

  • Mac Powell and the Family Reunion

    Mac Powell and the Family Reunion

    Back Again (Mac Powell Records). Review by Christopher Long.

  • Charlie Faye & the Fayettes

    Charlie Faye & the Fayettes

    The Whole Shebang (Bigger Better More Records). Review by Christopher Long.

  • Band Vs. Brand

    Band Vs. Brand

    When does a band become a brand? This new documentary examines the current state of the music business and reveals how the “brand” of a rock group now has more power than the members themselves.

  • Jessica Pratt

    Jessica Pratt

    Quiet Signs (Mexican Summer). Review by Christopher Long.

  • Eric Schenkman

    Eric Schenkman

    Who Shot John? (Vizztone Label Group). Review by Christopher Long.

  • Clyde Cooper

    Clyde Cooper

    Suspense-filled and brimming with beauties, Clyde Cooper is a campy, yet entertaining, noir-style “whodunit.”

  • Fastball

    Fastball

    All the Pain Money Can Buy (20th Anniversary Edition) (Omnivore Recordings). Review by Christopher Long.

  • Vanessa Peters

    Vanessa Peters

    Foxhole Prayers (Idol Records). Review by Christopher Long.

  • Spent

    Spent

    Touted as “a charming dark comedy with a vintage vibe,” the directorial debut from Lisa Mikitarian is a clever and quirky, Coen-caliber creation.

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