Osees
A Foul Form (Castleface Records). Review by Charles DJ Deppner.
A Foul Form (Castleface Records). Review by Charles DJ Deppner.
A bright young girl is tortured by her crass parents and brutalized by and evil school mistress. And it’s kid-friendly!
Uprising (Pirate’s Press ). Review by Scott Adams.
Sanctuary: The Complete Discography (Sacred Bones). Review by Matthew Moyer.
The Post Romantic Empire Album (Our Sweetest Songs). Review by Carl F Gazue.
The history of teeny, tiny labels that launched some really big bands. Before the out-crowd became the in-crowd.
Eco-War, The Need To Kill (Selfmadegod). Review by Matthew Moyer.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
No More Pain EP (Southern). Review by Matthew Moyer.
12 Crass Songs (Rough Trade ). Review by Michael Crown.
Matthew Moyer is glad that Holly George-Warren and the other compilers of this coffeetable-riffic collection of punk photos fetishize image as much as he does.
Proudflesh (Wired Gnome). Review by Scott Adams.
Love Love Love (Troubleman Unlimited). Review by Stein Haukland.
Beat The Bastards (Spitfire). Review by David Lee Beowulf.
Without Conscience (High Speed/Rhythm Vicar/ - Plastic Head). Review by Nathan T. Birk.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.