Guster
Easy Wonderful (Universal Republic). Review by Sean Slone.
Easy Wonderful (Universal Republic). Review by Sean Slone.
Islands (Labrador Records). Review by Matthew Moyer.
Saving America. Review by Robert M. Sutton.
Happy The Man (United For Opportunity). Review by Andrew Ellis.
More than 10 years after calling it quits, Crowded House is back – and more delightfully ironic than ever. Steve Stav suddenly remembered sharing one thing in common with Eddie Vedder while covering the band’s visit to the Pacific Northwest.
Brit-pop smash Starsailor is working on a foothold in America. Chris Catania sat down with James Walsh to find out about breaking in a new country, Bright Eyes and why American crowds giggle during “Alcoholic.”
Choice Picks (Fuel 2000). Review by Andrew Ellis.
Volcano (Universal). Review by Stein Haukland.
Divine Discontent (Reprise). Review by Stein Haukland.
Autumn Sweet (Laughing Outlaw). Review by James Mann.
And Now It’s Come to This (Razor & Tie). Review by Stein Haukland.
The Big Room (Atlantic). Review by Stein Haukland.
Dada (self-released). Review by Stein Haukland.
Feeding The Gods (What Are). Review by Sean Slone.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.