Mortician
Zombie Apocalypse (Relapse). Review by David Lee Beowülf
Zombie Apocalypse (Relapse). Review by David Lee Beowülf
Honky Reduction (Relapse). Review by David Lee Beowülf
Fit To Be Tied (Mercury). Review by David Lee Beowülf
In the Sign of the Ravens (Death/Invasion/Metal Blade). Review by David Lee Beowülf
Guitar Noir (Milan/BMG). Review by David Lee Beowülf
American Teenage Rock ‘N’ Roll Machine (Lookout!). Review by David Lee Beowülf
Overdrive (Alive). Review by David Lee Beowülf
Poems – Burn The Past (Death/Invasion/Metal Blade). Review by David Lee Beowülf
Under the Blade (Metal Blade/Invasion). Review by David Lee Beowülf
Ultimatum (Relapse). Review by David Lee Beowülf
The Dawn of Flames (Death/Invasion). Review by David Lee Beowülf
Screen Review by David Lee Beowülf
Feature by David Lee Beowülf
Sober ($). Review by David Lee Beowülf
The Ozzman Cometh (Epic). Review by David Lee Beowülf
Positronic Raygun (Alternative Tentacles). Review by David Lee Beowülf
Various Artists (Victory). Review by David Lee Beowülf
The Kids Still Have A Lot to Say (Cargo). Review by David Lee Beowülf
Str8 Outta Northcote (Relapse). Review by David Lee Beowülf
Once Sent From The Golden Hall (Metal Blade). Review by David Lee Beowülf
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.