Soulfly
metal,death,Soulfly,Prophecy,Roadrunner,Daniel Mitchell
metal,death,Soulfly,Prophecy,Roadrunner,Daniel Mitchell
Unbeliever’s Script (Candlelight). Review by Daniel Mitchell.
Helping the World to See (Metal Balde). Review by Daniel Mitchell.
death metal,Vehemence,Helping the World to See,Metal Balde,Daniel Mitchell
death metal,thrash metal,Sceptic,Unbeliever’s Script,Candlelight,Daniel Mitchell
Various Artists (Roadrunner). Review by Daniel Mitchell.
Tribute To The Devil’s Music (Black Lotus). Review by Vinnie Apicella.
Knights From Hell (World War III). Review by Daniel Mitchell.
Genocide (Candlelight). Review by Daniel Mitchell.
Electronomicon (Cleopatra Records). Review by Carl F Gauze.
A Tribute to Cradle of Filth (Deadline Records). Review by Vinnie Apicella.
The Will to Kill (Arctic). Review by Stein Haukland.
Carl F. Gauze doesn’t need CSI, he’s got Heather Dune Macadam’s The Weeping Buddha, a tightly written muder mystery revolving around modern forensic science and traditional police leg work.
Chuck Bantam is betrayed by the fickle mistress nostalgia when he picks up the DVD reissue of Return of the Living Dead Part III.
Steve Stav goes way down with songwriter Johnny Dowd about “happy music,” the death penalty, and being called a genius.
Cain’s Way (World War III). Review by Daniel Mitchell.
Beneath the Folds of Flesh (Earache). Review by Matthew Moyer.
If it’s down to him or the elephant, Chuck Bantam reckons it better be the elephant. Plus, theme park employee bashing!
Bridges Worth Burning (Barsuk). Review by Eric J. Iannelli.
Blasterpiece Theatre (Earache). Review by Daniel Mitchell.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.