Dark Castle
Dark Castle brings a brand of metal mayhem that features some new layers of unique melodicism to SXSW. Guitarist Stevie Floyd runs it down for Ink 19 before the band departs on an upcoming European tour with Kylesa.
Dark Castle brings a brand of metal mayhem that features some new layers of unique melodicism to SXSW. Guitarist Stevie Floyd runs it down for Ink 19 before the band departs on an upcoming European tour with Kylesa.
Satanic Blasphemies (Regain Records). Review by Matthew Moyer.
Bleuuuuuuurghroarrrr! Matthew Moyer is overjoyed to find Obituary just as primitive and bloodthirsty as when he first heard them, in this recent concert dvd. Change is overrated.
Stench of Redemption (Earache Records). Review by Matthew Moyer.
Helping the World to See (Metal Balde). Review by Daniel Mitchell.
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Scars of the Crucifix (Earache). Review by Marty Pursley.
Scars of the Crucifix (Earache). Review by Marty Pursley.
Heretic (Earache). Review by Stein Haukland.
Revealing Damnation (Martyr). Review by Matthew Moyer.
The Blood Shall Flow (Mercenary). Review by Matthew Moyer.
Gore Obsessed (Metal Blade). Review by Stein Haukland.
Ascension Of Terror (Hammerheart). Review by Matthew Moyer.
When Satan Lives (Roadrunner). Review by David Lee Beowülf
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.