- Screen Reviews
- December 10, 2019
Lily and Generoso select their ten favorite features, a collection of supplemental films, and a best repertory release of 2019.
Robert Glasper and Friends find the Wonder in Jazz, and Lauressa Nelson is there to soak it all in at the Harlem Stage.
Lilith 2010 Tour Compilation (RCA/Jive/Sony Music). Review by Carl F Gauze.
Operating in a genre dominated by paint-by-numbers R&B, Zaki Ibrahim paints soul — outside the lines — with a purple paint brush. S D Green talks to the emergent Canadian soulstress about globalism in her sound, the unlikely influence of Tom Waits, and why critics refuse to believe Canadian artists have soul.
Anything (Palm Records). Review by Tim Wardyn.
Can’t Hold Back (Sonar Kollektiv). Review by Bill Campbell.
World Wide Underground (Motown). Review by Alicia Benjamin-Samuels.
Voyage To India (Motown). Review by Bill Campbell.
Music From the Motion Picture Soundtrack (MCA). Review by Bill Campbell.
Love & War (Dreamworks). Review by Matt Cibula.
Truthfully Speaking (Aftermath / Interscope). Review by Bill Campbell.
The Way I Feel (Motown). Review by Bill Campbell.
Zero 7 at the 9:30 Club in Washington, DC on April 17, 2002. Concert review by Bill Campbell.
Brand New Morning (Lakeshore). Review by Stein Haukland.
Denials Delusions and Decisions (MCA). Review by Matt Cibula.
Diverse (Compost). Review by Bill Campbell.
Soul Sista (MCA). Review by Bill Campbell.
For The Love… (MCA). Review by Matt Cibula.
Music From and Inspired by the Motion Picture (Hollywood). Review by Vanessa Bormann.