Drunken Prayer
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Scheherazade (Bloodshot Records). Review by James Mann.
This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.
Too Far to Care (Omnivore Recordings). Review by James Mann.
I Like to Keep Myself in Pain (Anti). Review by James Mann.
M. Ward’s recent Chicago gig saw the crowd becoming much more active participants in the performance. Chris Catania reports from the frontlines.
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul
Mud (Bar/None). Review by Aaron Shaul.
The Promise (GarCorps ). Review by James Mann.
Pine Hill Haints at Van Gogh’s in Pensacola, FL on February 7, 2002. Concert review and photos by Phil Bailey.
You Must Be Present to Win (Let’s Roll). Review by Phil Bailey.
Twilight (Carrot Top). Review by Randall J. Stephens.
The Best of Flatt & Scruggs (Mercury). Review by Phil Bailey.
End Time (Thrill Jockey). Review by Phil Bailey
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Late bloomer Tony Bowman spins a tale of past decades with a Jimmy Buffett soundtrack.