Drunken Prayer
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
Scheherazade (Bloodshot Records). Review by James Mann.
This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.
Too Far to Care (Omnivore Recordings). Review by James Mann.
I Like to Keep Myself in Pain (Anti). Review by James Mann.
M. Ward’s recent Chicago gig saw the crowd becoming much more active participants in the performance. Chris Catania reports from the frontlines.
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul
Mud (Bar/None). Review by Aaron Shaul.
The Promise (GarCorps ). Review by James Mann.
Pine Hill Haints at Van Gogh’s in Pensacola, FL on February 7, 2002. Concert review and photos by Phil Bailey.
You Must Be Present to Win (Let’s Roll). Review by Phil Bailey.
Twilight (Carrot Top). Review by Randall J. Stephens.
The Best of Flatt & Scruggs (Mercury). Review by Phil Bailey.
End Time (Thrill Jockey). Review by Phil Bailey
Judy Craddock speaks with Jeffrey Foucault about his first album in six years, The Universal Fire, and connecting all kinds of dots in the wake of loss.
All In: Unreleased & Rarities — The New West Years (New West Records). Review by Jeremy Glazier.
Bring your loupe and spend some time poring over the maps that open Navola with Ian Koss.
On the Intricate Inner Workings of the System (Sub Pop). Review by Julius C. Lacking.
Lily and Generoso review director Gürcan Keltek’s mesmerizing supernatural drama, New Dawn Fades, winner of the Best Feature Boccalino D’Oro Award of the 24th Independent Film Critics Awards of the 2024 Locarno International Film Festival.
Channing Wilson opens for Steve Earle as Steve tours on his Alone Again Live album.