Tag: Freakwater

Freakwater

Freakwater

Music Reviews

Scheherazade (Bloodshot Records). Review by James Mann.

Lone Justice

Music Reviews

This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.

Old 97’s

Music Reviews

Too Far to Care (Omnivore Recordings). Review by James Mann.

Kelly Hogan

Music Reviews

I Like to Keep Myself in Pain (Anti). Review by James Mann.

M. Ward

Event Reviews

M. Ward’s recent Chicago gig saw the crowd becoming much more active participants in the performance. Chris Catania reports from the frontlines.

Eszter Balint

Music Reviews

goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul

Pine Hill Haints

Event Reviews

Pine Hill Haints at Van Gogh’s in Pensacola, FL on February 7, 2002. Concert review and photos by Phil Bailey.

Greta Lee

Music Reviews

You Must Be Present to Win (Let’s Roll). Review by Phil Bailey.

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Garage Sale Vinyl: KISS, The Solo Albums

Garage Sale Vinyl: KISS, The Solo Albums

Garage Sale Vinyl

This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.

Borsalino

Borsalino

Screen Reviews

Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).

Weird Science

Weird Science

Screen Reviews

Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.

City of the Living Dead

City of the Living Dead

Screen Reviews

Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.

Broken Mirrors

Broken Mirrors

Screen Reviews

Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.