Crime In Stereo Is Dead (Bridge Nine). Review by Jen Cray.

Quo Vadimus (Jump Start). Review by Jen Cray.

Kodiak (Eyeball). Review by Jen Cray.

NJ’s pre-emo/melodic hardcore cult favorites Lifetime may have pissed off a lot of fans by signing to Pete Wentz’s Decaydance label, but their show with The Draft still almost sold-out Orlando’s The Social. Amongst the crowd was newly christened fan Jen Cray.

In a Million Pieces (Epitaph). Review by Scott Adams.

Truth is a Menace (No Idea). Review by Daniel Mitchell.

The New What Next (Epitaph). Review by Daniel Mitchell.

Moonlight Survived (Salad Days / Atlantic Records). Review by Vinnie Apicella.

Alone with the Alone (Equal Vision). Review by Daniel Mitchell.

Volume 8 (Epitaph). Review by Troy Jewell.

punk,hardcore,emo,hip hop,Various,Punk-O-Rama 8,Epitaph Records,Troy Jewell

No Fate (Deep Elm). Review by Joe Frietze.

post hardcore,punk,solid,layered,passion, blistering,Lock and Key,No Fate,Deep Elm,Joe Frietze

Prohibition Starts Tomorrow (A.D.D.). Review by Stein Haukland.

Compulsive Disclosure (Lookout!). Review by Daniel Mitchell.

The Daylight Robbery (Smallman). Review by Stein Haukland.

Scattered Sentences (No Idea). Review by Daniel Mitchell.

Chemistry For Changing Times (No Idea / Keystone Ember). Review by Daniel Mitchell.

Nail Yourself to the Ground (No Idea). Review by Daniel Mitchell.

Colors, Words, & Dreams (Second Nature). Review by Stein Haukland.