- Music Reviews
- March 8, 2021
Carnival of Peculiarities (Twisted Music). Review by Carl F. Gauze.
The 1975 bring back ’80s inspired synth pop to a generation that didn’t even know they were missing it. Jen Cray surrenders to the beat.
Raw Wave (Dirtnap). Review by Jen Cray.
Yellowcard bid farewell to 20 years worth of fans in Orlando, and Jen Cray was there to capture it all.
No Sense EP (Fire Talk Records). Review by Jen Cray.
Mitski brings her stark bedroom pop to Orlando’s BackBooth, but Jen Cray finds openers Fear of Men and Weaves more delighting.
The Fest isn’t just another music festival, it’s a community — one that Jen Cray is happily a part of.
The Bleached Slang Tour (Beach Slang + Bleached) brings Orlando to its knees and causes hearts, like Jen Cray’s, to swoon.
Max & Iggor Cavalera Return to Roots
A Loud Bash Of Teenage Feelings (Polyvinyl). Review by Jen Cray.
The Kills lay waste to Atlanta and Nashville, and superfan Jen Cray was there!
The annual festival that Punkifies a college town is back, in its 15th year!
Okey Dokey (Natural Child Records and Tapes). Review by Jen Cray.
A Weird Exits (Castle Face). Review by Jen Cray.
Luna & The Wild Blue Everything. Review by Jen Cray.
Hooray For Me (Help Yourself Records). Review by Jen Cray.
Stake My Claim (Don Giovanni Records). Review by Jen Cray.
A triple bill of underground Goth, led by NYC’s Pawns, transforms Uncle Lou’s into a time machine. Jen Cray did not wear eye makeup, but she did wear a black shirt to the show.
Lookin’ (Rough Beast Records). Review by Jen Cray.
Is A Toad In The Rain (Exploding In Sound Records). Review by Jen Cray.
Glow In The Dark (Burger Records). Review by Jen Cray.