Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
Back to the Woods (Dais Records). Review by Scott Adams.
The Switchblade Kid (Miss Molly Music). Review by Matthew Moyer.
Merchandise makes Gainesville, and Matthew Moyer, swoon like teenagers at an early ’90s Morrissey concert… and that’s a very, very good thing.
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Buddha Electrostorm (Fire Records). Review by Matthew Moyer.
Weekends (Mazarin Records). Review by Matthew Moyer.
Frankie Rose and the Outs (Slumberland). Review by Matthew Moyer.
Kudos (Fire Records). Review by Matthew Moyer.
Raven in the Grave (Vice Records). Review by Laura Pontillo.
Dum Dum Girls top a promising indie rock bill that woos Jen Cray into downtown Orlando in the midst of St. Paddy’s Day madness.
Dog Ear Days. Review by Matthew Moyer.
Doomed Forever (Slumberland Records). Review by Matthew Moyer.
Darker Blue (Defend Music). Review by Matthew Moyer.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Totaled (Monitor). Review by Matthew Moyer.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.
What happens when a lost classic gets found? In the hands of Black Tambourine, the musical world becomes a better place, turns out. Matthew Moyer corrals the members of the once-forgotten noisepop band to get the whole sordid take on their expanded Black Tambourine reissue.
Matthew Moyer caught up with Vivian Girls guitarist Cassie Ramone on the downside of SXSW, and found the core Vivians restless and ready to move on to new projects, but still completely dedicated to art and music.
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During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.