Netherworld
Zastrugi (Glacial Movements). Review by Carl F Gauze.
Zastrugi (Glacial Movements). Review by Carl F Gauze.
Global Underground (Global Underground). Review by Carl F Gauze.
Sasha & Digweed finally release a videologue of their infamous 2002 nationwide US tour, blood, sweat and beats all included. But is it worth the price of admission? Kiran Aditham finds out.
Fabric20 (Fabric). Review by Kiran Aditham.
Fundacion NYC (Global Underground). Review by Kiran Aditham.
DJ Sasha,Involver,Global Underground,Kiran Aditham,DJ Sasha
With a unique concept behind his first Global Underground mix in years, DJ Sasha aims to re-invent the wheels of steel. Kiran Aditham gives us the in spin.
A Voyage Into Trance (Hypnotic/Dragonfly). Review by Troy Mayhew.
Global Underground - Los Angeles (Boxed). Review by Kiran Aditham.
John Digweed (Thrive). Review by Tony Coulson
Global Underground 001 Sydney (Thrive). Review by Carole Jaszewski
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.