Rotersand
1023 (Metropolis). Review by Jorge C. Galban.
1023 (Metropolis). Review by Jorge C. Galban.
Tohuvabohu (Metropolis). Review by Jorge C. Galban.
Judgement (Metropolis Records). Review by Jorge C. Galban.
Bodypop (Metropolis Records). Review by Jorge C. Galban.
We Collide (Konigskinder). Review by Jorge C. Galban.
As We Fall (Metropolis). Review by Jorge C. Galban.
Artificial Soldier (Metropolis). Review by Jorge C. Galban.
Skyshaper (Metropolis Records). Review by Jorge C. Galban.
Elements of Silence (Metropolis Records). Review by Jorge C. Galban.
Playing The Angel (Sire/Reprise/Mute). Review by Jorge C. Galban.
Voyeur (Metropolis Records). Review by Jorge C. Galban.
Dreamweb (Metropolis Records). Review by Jorge C. Galban.
Kaskade (Metropolis Records). Review by Jorge C. Galban.
Welcome to Goodbye (Metropolis Records). Review by Jorge C. Galban.
Always Outnumbered, Never Outgunned (Maverick Records). Review by Jorge C. Galban.
Houses of The Mole (Sanctuary). Review by Jorge C. Galban.
Storm (Metropolis Records). Review by Jorge C. Galban.
This DVD documentary on the making of Apoptgyma Berzerk’s Harmonizer album includes the World Harmony Tour recorded live in Hamburg Germany, along with all Harmonizer music videos and bonus material. Jorge C. Galban spins and observes.
Puppy (One Little Indian). Review by Jorge C. Galban.
Fluke,Puppy,One Little Indian,Jorge C. Galban
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.