- Music Reviews
- January 22, 2020
Fine Line (Columbia Records). Review by Christopher Long.
120 Onetwenty (Sargasso). Review by Stacey Zering.
Terminal Drive (Smog Veil Records). Review by James Mann.
Enjoy the Science: Tribute to Depeche Mode (). Review by Michelle Wilson.
Ruled By Passion, Destroyed by Lust (Rotters Golf Club). Review by Carl F Gauze.
Weekends (Mazarin Records). Review by Matthew Moyer.
Made In Germany 1995-2011 (Universal). Review by Carl F Gauze.
Crazy Clown Time (Sunday Best Recordings/PIAS America). Review by James Mann.
The Difference Engine (Rekids). Review by Carl F Gauze.
Blueberry Kush EP (MartyParty Music). Review by Carl F Gauze.
DJ-Kicks (!K7 records). Review by Carl F Gauze.
Front man Alan Palomo shows a Tallahassee crowd there’s more to Neon Indian than just a guy hunched in front of a Macbook.
The four issues collected in Twomorrows latest Jack Kirby Collector are packed with interviews, pseudo-scholarly/analytical pieces, and metric tons of artwork from comics’ favorite “working-class kid from the Bronx.”
Bell Ord Forrest (Joyful Noise). Review by Matthew Moyer.
Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.
Kicking off Ink 19‘s new series, Labels We Love, S D Green talks to ZE Records co-founder Michel Esteban about defining a sound and establishing a label during New York’s 1970s creative zeitgeist, and the resurrection of the label that was once home to Lydia Lunch, Suicide, and Kid Creole & the Coconuts.
Milky Ways. (!K7 Records). Review by Carl F Gauze.
Bolshevik Disco (Manimal Vinyl). Review by Matthew Moyer.
Crazy (Nervous Records). Review by Carl F Gauze.