Einstürzende Neubauten
Rampen (apm: alien pop music) (POTOMAK). Review by Steven Cruse.
Tag: Kraftwerk
Guji
Guji Guji (Godless America). Review by Bob Pomeroy.
Atom™
This Is Jazz. Review by Julius C. Lacking.
Luke Schneider
Altar of Harmony (Third Man Records). Review by James Mann.
Junko Beat
Satirifunk (Dumparade Records). Review by Bob Pomeroy.
Daniel Biro
120 Onetwenty (Sargasso). Review by Stacey Zering.
Allen Ravenstine + Albert Dennis
Terminal Drive (Smog Veil Records). Review by James Mann.
8-Bit Operators
Enjoy the Science: Tribute to Depeche Mode (). Review by Michelle Wilson.
The Asphodells
Ruled By Passion, Destroyed by Lust (Rotters Golf Club). Review by Carl F Gauze.
PacificUV
Weekends (Mazarin Records). Review by Matthew Moyer.
Rammstein
Made In Germany 1995-2011 (Universal). Review by Carl F Gauze.
David Lynch
Crazy Clown Time (Sunday Best Recordings/PIAS America). Review by James Mann.
Luke Solomon
The Difference Engine (Rekids). Review by Carl F Gauze.
Marty Party
Blueberry Kush EP (MartyParty Music). Review by Carl F Gauze.
James Holden
DJ-Kicks (!K7 records). Review by Carl F Gauze.
Neon Indian
Front man Alan Palomo shows a Tallahassee crowd there’s more to Neon Indian than just a guy hunched in front of a Macbook.
Collected Jack Kirby Collector Vol. 7
The four issues collected in Twomorrows latest Jack Kirby Collector are packed with interviews, pseudo-scholarly/analytical pieces, and metric tons of artwork from comics’ favorite “working-class kid from the Bronx.”
Michael Rother
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Lymbyc Systym
Shutter Release (Mush Records). Review by Carl F Gauze.
I Love You
Bell Ord Forrest (Joyful Noise). Review by Matthew Moyer.
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