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This Is Jazz. Review by Julius C. Lacking.
This Is Jazz. Review by Julius C. Lacking.
Altar of Harmony (Third Man Records). Review by James Mann.
Satirifunk (Dumparade Records). Review by Bob Pomeroy.
120 Onetwenty (Sargasso). Review by Stacey Zering.
Terminal Drive (Smog Veil Records). Review by James Mann.
Enjoy the Science: Tribute to Depeche Mode (). Review by Michelle Wilson.
Ruled By Passion, Destroyed by Lust (Rotters Golf Club). Review by Carl F Gauze.
Weekends (Mazarin Records). Review by Matthew Moyer.
Made In Germany 1995-2011 (Universal). Review by Carl F Gauze.
Crazy Clown Time (Sunday Best Recordings/PIAS America). Review by James Mann.
The Difference Engine (Rekids). Review by Carl F Gauze.
Blueberry Kush EP (MartyParty Music). Review by Carl F Gauze.
DJ-Kicks (!K7 records). Review by Carl F Gauze.
Front man Alan Palomo shows a Tallahassee crowd there’s more to Neon Indian than just a guy hunched in front of a Macbook.
The four issues collected in Twomorrows latest Jack Kirby Collector are packed with interviews, pseudo-scholarly/analytical pieces, and metric tons of artwork from comics’ favorite “working-class kid from the Bronx.”
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Shutter Release (Mush Records). Review by Carl F Gauze.
Bell Ord Forrest (Joyful Noise). Review by Matthew Moyer.
Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.
Kicking off Ink 19’s new series, Labels We Love, S D Green talks to ZE Records co-founder Michel Esteban about defining a sound and establishing a label during New York’s 1970s creative zeitgeist, and the resurrection of the label that was once home to Lydia Lunch, Suicide, and Kid Creole & the Coconuts.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.