The Art of Classic Rock
Carl F Gauze is overwhelmed by Rob Roth’s glossy, artsy rock and roll promotion obscurities.
Carl F Gauze is overwhelmed by Rob Roth’s glossy, artsy rock and roll promotion obscurities.
Elianne Halbersberg has an insightful conversation with Taddy Porter’s quite punctual Kevin Jones.
From their new record to their ever-changing front men to personal musical influences, Anthrax drummer Charlie Benante had a lot to say leading up to his band’s 2010 tour with thrash metal heavyweights Megadeth and Slayer.
Ghosts (453 Music). Review by Carl F Gauze.
Ghosts (453 Music). Review by Carl F Gauze.
Reimaginator. Review by Joe Frietze.
What We All Come to Need (Southern Lord). Review by Carl F Gauze.
Author Charles R. Cross delivers a unique and detailed account of Led Zeppelin’s recording history – one platinum-selling record at a time.
Hurrication EP (Olympic). Review by Carl F Gauze.
Shelton Hull suspects Jimmy Page is pleased with this unabashedly unauthorized biography.
Gail Worley gets the definitive interview out of Secret Machines’ feisty drummer Josh Garza. She calls them a grunge Be Bop Deluxe, but in a good way.
William Weikart , the mastermind behind the band Obscured by Clouds , is one literate and surprising person. Tim Wardyn unveils Weikart’s impressive cast of influences (including Chris Cornell and Baroque music), how ex-girlfriends contributed to one of the best songs on their album Psycheclectic, and how his bandmate Thee Slayer Hippy got his name.
Are you ready to scream your lungs out?! Dave Grohl was. So were over 80,000 fans as they packed Wembley Stadium for a performance that was two parts ferocious rock and one part classic rock. All this makes Tim Wardyn want to go to a Foo Fighters concert so badly that he can taste the sweat flying off the TV. We’ll let him explain.
Sara Brightman shines at UCF, delivering a gem of a show despite the sports arena’s plague of muddy sound.
It takes some serious skills to make moody, indie rock sound new and fresh, but Low Vs. Diamond does just that. Jen Cray was wooed by their swagger and elegance at a recent Orlando date.
Merri Cyr tries to catch lightning in a camera lens in this re-issue of her 2002 scrapbook of intimate reflections on legendary musician Jeff Buckley. S D Green wonders if Buckley was ever really here at all.
Thanks to a Dark Night of freelance unemployment that brought her Weezer, Gail Worley brings Ink 19 an interview with Pat Wilson , who totally rocks.
With material co-credited to Paul McCartney, Jean-Philip Grobler’s Kites has caught the attention of music industry luminaries. However, he’s intent to make music his way, in his own time, resulting in his current EP You and I in the Kaleidoscope. Three years to make an EP? Grobler talks about that misconception, and promises his next shot of arena rock won’t take so long, but warns it might include a full orchestra in St. Paul’s Cathedral. S D Green tries to harmonize with the former South African choirboy.
Rediscovering Lonnie Johnson (Range). Review by Jen Cray.
Are you ready for the country? Zep-approved bluegrass collective Uncle Earl stop Chris Catania in his tracks with a ferocious Chicago set.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.