Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Can You Deal? (Dead Oceans). Review by Jen Cray.
Sometimes I Sit and Think, and Sometimes I Just Sit (Mom + Pop Music). Review by .
Rock & Roll Submarine (UO Records). Review by Sean Slone.
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
Kimya Dawson mothers the Chicago kids with her folkish punk rock lullabies. Chris Catania digs.
Historical Fiction (Team Science). Review by Jen Cray.
The Shapes We Make (Kill Rock Stars). Review by Aaron Shaul.
The women are doing it for themselves! This issue of Target or Flag gives you the low down on four women making music in very different styles but displaying the same independent spirit.
To Force a Fate (Lookout!). Review by Daniel Mitchell.
pop punk,The Reputation,To Force a Fate,Lookout Records,Daniel Mitchell
Greatest Hits Vol. II (Trampoline Records). Review by Andrew Ellis.
Nothing Comes Free (self-released). Review by Stein Haukland.
Get On (Sonic Unyon). Review by Daniel Mitchell.
The Diamond Fields (self-released). Review by Stein Haukland.
Long Shot Novena (Rough Trade). Review by Stein Haukland.
That’s What We’re Here For (This is the Chopper). Review by Matt Cibula.
musicforthemorningafter (Columbia). Review by Sean Slone.
Column by David Lee Beowülf
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.