Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Tag: Liz Phair
Bleached
Can You Deal? (Dead Oceans). Review by Jen Cray.
Courtney Barnett
Sometimes I Sit and Think, and Sometimes I Just Sit (Mom + Pop Music). Review by .
Urge Overkill
Rock & Roll Submarine (UO Records). Review by Sean Slone.
Wreckless Eric & Amy Rigby
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
Kimya Dawson
Kimya Dawson mothers the Chicago kids with her folkish punk rock lullabies. Chris Catania digs.
The Measure [Sa]
Historical Fiction (Team Science). Review by Jen Cray.
The Mary Timony Band
The Shapes We Make (Kill Rock Stars). Review by Aaron Shaul.
Independent Women
The women are doing it for themselves! This issue of Target or Flag gives you the low down on four women making music in very different styles but displaying the same independent spirit.
The Reputation
To Force a Fate (Lookout!). Review by Daniel Mitchell.
The Reputation
pop punk,The Reputation,To Force a Fate,Lookout Records,Daniel Mitchell
Trampoline Records
Greatest Hits Vol. II (Trampoline Records). Review by Andrew Ellis.
Brigitte Demeyer
Nothing Comes Free (self-released). Review by Stein Haukland.
The Dirtmitts
Get On (Sonic Unyon). Review by Daniel Mitchell.
Priscilla Ederle
The Diamond Fields (self-released). Review by Stein Haukland.
Eileen Rose
Long Shot Novena (Rough Trade). Review by Stein Haukland.
Larissa Dalle
That’s What We’re Here For (This is the Chopper). Review by Matt Cibula.
Pete Yorn
musicforthemorningafter (Columbia). Review by Sean Slone.
Adjective City
Column by David Lee Beowülf
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