- Screen Reviews
- February 20, 2019
Guillermo del Toro gives a new look at gothic horror in Crimson Peak.
The soul and jazz sounds of Orlando’s best jazz musicians invades the lobby of the Winter Park Playhouse.
The audience finally gets to sing along to a Winter Park Playhouse show.
Live at Chickie Wah Wah (FHQ Records). Review by Bob Pomeroy.
Go Gently Into the Night (E-Tron Records). Review by Carl F Gauze.
Dirty Pictures Pt. 1 (Contender Records). Review by Bob Pomeroy.
The Complete Tony Bennett / Bill Evans Recordings (Concord Music Group / Fantasy). Review by Carl F Gauze.
Charlie Greene. Review by Carf F Gauze.
Constellations (Western Vinyl). Review by Carl F Gauze.
Dragon Chinese Cocktail Horoscope (SideCho). Review by P. McEver.
Guilty Guilty Guilty (Mute). Review by Matthew Moyer.
Poverina (Minty Fresh). Review by Aaron Shaul.
The Lawlessness of the Ruling Class (Hyrbis). Review by Aaron Shaul.
The Piano Man returned to Philly for the third of five sold-out shows. Brittany Sturges explains why the man still fills the place.
The Lone Gunman (Idaho). Review by Aaron Shaul.
Until Death Comes (Licking Fingers). Review by Aaron Shaul.
Amaterasu (Hidden Agenda). Review by Aaron Shaul.
Shelton Hull went to the Piano competition to catch some great jazz and ended up seeing a screw-job worthy of Bret Hart in Montreal. Here’s how it went down.
An Accidental Memory in the Case of Death (Temporary Residence). Review by Aaron Shaul.
Brain (Telarc). Review by Aaron Shaul.