The Emergency
How Can You Move? (You Guys On A Label? Records). Review by Carf F Gauze.
How Can You Move? (You Guys On A Label? Records). Review by Carf F Gauze.
Four Thousand Seven Hundred and Sixty-Six Seconds: A Shortcut to Teenage Fanclub (Jetset). Review by Troy Jewell.
The Summer of the Lion, The Summer of the Lamb (We Want Action). Review by Aaron Shaul.
Feed (Burnside). Review by Aaron Shaul.
Autumn Was A Lark (Merge). Review by Stein Haukland.
Third Grade Teacher (Pinch Hit). Review by Daniel Mitchell.
Hearts Of Oak (Lookout!). Review by Julio Diaz.
Say It Loud (Sparrow Records). Review by Daniel Mitchell.
The Identity EP (Uprising). Review by Daniel Mitchell.
Clever One (Pink & Black). Review by Troy Jewell.
Commencement (Dreamworks). Review by Daniel Mitchell.
Play With Your Head (RPM / Sony). Review by Julio Diaz.
Night On Earth (Eagle). Review by Randall J. Stephens.
Protection EP (Twenty Stone Blatt). Review by Brian Kruger.
No News Is Good News (Equal Vision). Review by Brian Kruger.
Audioboxer EP (Drive-Thru/MCA). Review by Matt Cibula.
Going Dutch (Asian Man/Coldfront). Review by Brian Kruger.
For more than 25 years, Cheap Trick has been making irresistible power pop that has become permanently ingrained in the pop culture consciousness. Julio Diaz caught up with drummer Bun E. Carlos to discuss the band’s place in history, the secret to their longevity, and why they never attended Rock N’ Roll High School.
The Rosenbergs seemed poised for all the perks life in the majors can offer. After being touted as the best unsigned bands in America, the majors were sniffing around, and the band was offered a chance to appear on USA Network’s Farmclub show. Then they made waves by rejecting the majors, exposing Farmclub’s shifty business practices, and entering into an unusual alliance with Napster. What almost got lost in the process is the fact that The Rosenbergs are a damn fine power pop band, which they’re proving with their new album, Mission: You. Sean Slone discusses the music and the industry with singer/songwriter David Fagin.
A little bit of hardcore, a little bit of power pop, a little bit of new wave, a little bit of rock and roll, and a little bit of punk – Roi Tamkin caught an eclectic show with Sense Field, the Stereo, and Lift at Atlanta’s Echo Lounge on April 27, 2000.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.