Southern Culture On The Skids
The Kudzu Ranch. Review by Carl F Gauze.
The Kudzu Ranch. Review by Carl F Gauze.
Sound of the Westway (Slumberland). Review by Matthew Moyer.
William S. Burroughs, rockstar, comes face-to-face with the underground youth culture that he helped to create. Matthew Moyer fills the Ink 19 crowd in on his extended victory lap, viewed through cinematic eyes.
Circle the Wagons (Peaceville). Review by Matthew Moyer.
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
Joe Biel’s latest is a documentary on the modern-day DIY punk scene fostered by Plan-it X Records.
Civilization (Dead Tank). Review by Matthew Moyer.
The Red List (20 Buck Spin). Review by Matthew Moyer.
Celtic punk veterans Dropkick Murphys rip though Orlando leaving beer-sodden green mohawks in their wake.
Akashic Press expands, redesigns, and re-releases Mark Anderson and Mark Jenkins’s invaluable DIY learning tool, Dance of Days. Even better, it’s just as energizing as the first read. What were YOU up to at age 16?
Eco-War, The Need To Kill (Selfmadegod). Review by Matthew Moyer.
Serpents (Transaction Loss). Review by Carl F Gauze.
Razor To Oblivion (Southern Lord). Review by Matthew Moyer.
Live @ the Roundhouse London 2008 (Year Zero/Future Noise). Review by Matthew Moyer.
100mNYC (100m Records). Review by Carl F Gauze.
Where Did All My People Go (Long Nights, Impossible Odds). Review by Carl F Gauze.
In the near future, there will be a documentary produced on every single punk scene or band from the late ’70s to mid ’80s. And that’s just fine.
Rocking At Ground Zero with Rare Cuts! (Hepcat Records). Review by Carl F Gauze.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
Godless Noise (Forcefield Records). Review by Matthew Moyer.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.