Mice Parade
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
With over 40 albums and an unassailable legacy as the originator of one of Africa’s most popular and enduring sounds, the job of curating Fela Kuti’s catalog for the 21st century is a difficult and enviable task. Ink 19 dives into the Knitting Factory’s Chop n’ Quench, Fela’s first nine albums re-released, and gives a heads up on the Na Poi set of albums due to drop on May 11.
Hitting the road with Ani DiFranco as a follow-up to her national touring debut with no less a superstar than Tracy Chapman , Gaby Moreno will have to follow-up her debut album, Still the Unknown with a title more befitting her potential breakout. She’s already got some surprises up her sleeve for the second act.
Harlem Renaissance man by way of Chicago in the 1970s, Melvin Van Peebles adds another tome to his illustrious résumé.
In light of the recent charges levied against Jammie Thomas-Rasset in the RIAA’s case against her, we’ve unearthed this review on Steal This Music, a book concerning the history of copyright in music.
Peter Wild and a group of authors take on the challenge of making literature out of Sonic Youth’s noisy, chaotic, shimmering music. S D Green has some warnings for fans of Sonic Youth who may be intrigued.
Zack Snyder’s cinematic version of Alan Moore’s ground breaking graphic novel is about to hit theaters. Moore wants nothing to do with it. S D Green offers a review of the source material that proved a landmark moment in comic book history, and that has many fans divided about the upcoming adaptation.
Madvillainy 2 (Stones Throw). Review by S D Green.
The 33 1/3 series has produced some great essay books exploring some of rock’s most iconic albums. S D Green finally gets around to Marc Woodworth’s commendable attempt to make sense of Guided by Voices’ shambolic classic, Bee Thousand.
Ruff Draft (Stones Throw). Review by S D Green.
Yancey Boys (Delicious Vinyl). Review by S D Green.
The guitar is the iconic symbol of rock music’s sex, rebellion, and power. Pink Floyd: The Black Strat is a new book about one of Dave Gilmour’s primary instruments – his black Stratocaster. S D Green explores whether the book conjures any of the instrument’s magic by uncovering its underpinnings.
Merri Cyr tries to catch lightning in a camera lens in this re-issue of her 2002 scrapbook of intimate reflections on legendary musician Jeff Buckley. S D Green wonders if Buckley was ever really here at all.
Edible Orchids (One Cent Press). Review by S D Green.
The Bridge (IM Culture). Review by S D Green.
You and I in the Kaleidoscope (Unsigned). Review by S D Green.
A serviceable documentary of a working band in creative transition, Door of No Return misses an opportunity to explore the history of one of the most intriguing reggae bands of all time, Steel Pulse.
Moonbeams (Secretly Canadian). Review by S D Green.
Satellite Bay (Viva Hate Records). Review by S D Green.
55th Anniversary Super Deluxe Double LP (Don Giovanni Records). Review by Carl F. Gauze.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.