Again, Again, Again (Misra Records). Review by Judy Craddock.

Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.

Christmas Alone (Third Man Records). Review by Judy Craddock.

More Touch (Pyroclastic Records). Review by Bob Pomeroy.

Melissa Plotsky and Kid Congo Powers talk about the music fan-turned legendary musician’s crazy and wondrous punk coming-of-age story, Some New Kind of Kick.

Silhouettes. Review by Bob Pomeroy.

Black Horse Records issues a second definitively packaged volume of Joe Strummer’s musical career. Charles DJ Deppner reflects.

Oslo Park (Kanine Records). Review by Bob Pomeroy.

Country/rock mashup series ATLive brings Roi J. Tamkin to Atlanta’s Mercedez Benz Stadium for a night of standing ovations starring The Piano Man, Billy Joel.

Director Miryam Charles’s compelling and personal hybrid documentary feature debut, Cette Maison, was a favorite of Lily and Generoso’s at AFI Fest 2022. They spoke at length with Charles during the festival about her film, which examines the emotional impact resulting from her young cousin’s death.

Séances (Pyroclastic Records). Review by Bob Pomeroy.

Set in the year 2700 in the imaginary city of Asche, Flaming Ears is a daring micro-budget sci-fi film from 1991 that envisioned a dystopian urban landscape that now seems eerily familiar. Lily and Generoso share their thoughts on the film’s new 4K restoration.