This Hard Land
Two artists look at fathers and sons - Doug Hoekstra experiences Springsteen on Broadway.
Two artists look at fathers and sons - Doug Hoekstra experiences Springsteen on Broadway.
Feels So Good ( TRC Records). Review by James Mann.
The Morlocks Play Chess (Popantipop). Review by Sean Slone.
The Only Place I Can Look is Down EP (I Am Sound). Review by Jen Cray.
Wild and Wicked (AIM Records). Review by Carl F Gauze.
The Art of Rolling (TVT). Review by Aaron Shaul.
Outsight considers some things worthy to hear, read, view and buy for a good cause in this month’s action-packed installment!
fake sountrack,’60’s rock,punk,folk,Penelope Houston,The Pale Green Girl,DBK Works,Aaron Shaul
The Pale Green Girl (DBK Works). Review by Aaron Shaul.
Snakes in My Veins (Emperor Jones). Review by Aaron Shaul.
Bring ‘Em In (Mute). Review by Stein Haukland.
The Greenhornes (Telstar). Review by Julio Diaz.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.