Rhett Miller
The Traveler (ATO Records). Review by Joe Frietze.
The Traveler (ATO Records). Review by Joe Frietze.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
The Harrow & the Harvest (Acony Records). Review by Sean Slone.
Feast of the Hunters’ Moon (Sugar Hill). Review by Tim Wardyn.
Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.
The Hazards of Love (Capitol). Review by Matt Parish.
Movie Theatre Haiku (A Masque of Backwards Ballads, a Picturesque Burlesque) (Cutthroat Pop). Review by Tim Wardyn.
Colin Meloy Sings Live! (Kill Rock Stars). Review by Aaron Shaul.
Though this festival built its reputation as a lovefest for jambands and hippies, Bonnaroo in 2007 opened its arms up to more modern rock bands, bringing in a whole new audience. One new convert was Jen Cray , whose weekend in the mountains of Tennessee is not one she’s soon to forget.
Compass Rose Bouquet (Quack Media). Review by Jen Cray.
Until the Sadness is Gone (Friendly Fire). Review by Aaron Shaul.
When epic indie rock that’s heavy with literary allusions, like what The Decemberists create, can sell out a large venue like the Hard Rock Live it gives Jen Cray hope for the state of music.
Maria Taylor brought her dreamy indie pop to Orlando and the fans came out. Jen Cray was one of the hundred or so who came out for a mid-week, late night show.
Hissing Fauna, Are You The Destroyer? (Polyvinyl). Review by Jen Cray.
The Absent and the Distant (Caldo Verde). Review by Aaron Shaul.
The Crane Wife (Capitol). Review by Jen Cray.
A featured profile in both the local weekly and in the Orlando Sentinel newspaper helped to pack The Social for The Oaks’ first ever headlining gig. Jen Cray was amongst the crowd to lend her support.
Volume 3 (Acuarela). Review by Aaron Shaul.
WW1 (Merge). Review by Aaron Shaul.
Misadventures in Radiology (Sonic Boom). Review by Aaron Shaul.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).