Grackle (Paper Cup). Review by Jen Cray.
Get What You Came For (Vigilante Music/Adamant Records). Review by Jen Cray.
Greatest Hits Vol. 1 (RemLo Productions). Review by Jen Cray.
Bitchin’ (Purple Feather). Review by Jen Cray.
Ramones For Kids (Go-Kart). Review by Jen Cray.
Gold Medal (Atlantic Records). Review by Andrew Ellis.
Music From the Motion Picture (Ryko). Review by Aaron Shaul.
Birth of a Lover (Self Released). Review by Aaron Shaul.
The year 2003 isn’t officially over until we’ve had Gail Worley’s picks from the mountain of interviews she did over those twelve months. It’s a rock zeitgeist!
What a day for Phillip Haire… Jane’s Addiction, Audioslave, Incubus, Queens of the Stone Age, Jurassic 5, The Donnas, The Distillers and others…
Clever One (Pink & Black). Review by Troy Jewell.
Lickity Split (The Telegraph Company). Review by Bob Pomeroy.
Event Review by Frank Mullen
Get Skintight (Lookout!). Review by David Lee Beowülf
Review by Felizon Vidad
American Teenage Rock ‘N’ Roll Machine (Lookout!). Review by David Lee Beowülf
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.