The Queers
Back to the Basement (Asian Man Records). Review by Carl F Gauze.
Back to the Basement (Asian Man Records). Review by Carl F Gauze.
Jen Cray shrugs off another day’s responsibilities, dodging tossed beers and fake blood to sidle up to The Queers at The Social (duh, where else)?
Teenage Bottlerocket may just be one more example of the great influence that The Ramones have had on music, but Jen Cray didn’t come to judge.
Wet Sounds (Urban Cheese). Review by Jen Cray.
What’s to like in a punkumentary about a long-lived icon? Audible sound during The Queers’ live sets would have been a good start, but Carl F Gauze finds solace in the interview and rare bits.
Not Economically Viable (Thick). Review by Jen Cray.
Louder Than Morrissey (End). Review by Stein Haukland.
The iconoclastic punk rocker and former leader of Screeching Weasel, Ben Weasel offers up his first non-fiction collection. Troy Jewell takes a look.
Self Control (BYO). Review by Daniel L. Mitchell.
Live in West Hollywood (Hopeless). Review by Brian Kruger.
Going Dutch (Asian Man/Coldfront). Review by Brian Kruger.
Somewhere In America (Fearless). Review by Brian Kruger.
Nerds of the world, unite! Nerf Herder are here to take Nerd Core to new heights! Julio Diaz corresponds with frontman Parry Grip about Star Wars, punk rock, Jonathan Richman, and all thigs nerdly.
The Nobodys at the State Theater, St. Petersburg, FL, July 15, 2000. Concert review by Sean Carswell.
Later Days And Better Lays (Lookout!). Review by Ryan Eckhart
Punk Rock Confidential (Hopeless). Review by Andrew Chadwick
Event Review by Brian Kruger
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.