The Wednesdays
You Will Gasp And They Will Breathe (Reservation). Review by Stein Haukland.
You Will Gasp And They Will Breathe (Reservation). Review by Stein Haukland.
If They Knew This Was the End (Bar None). Review by Rob Walsh.
Digger vocalist Chris Benner, one of the The Grand Ole Men of Punk-Pop, takes time from endless touring to talk with Stein Haukland… about endless touring. And more!
The duet he did with his father, Bobby Bare, earned Bobby Jr. a Grammy nomination at the age of five. Stein Haukland catches up with the grown-up version.
Rapid Pop Thrills (Bombco). Review by Stein Haukland.
Creepy Little Noises (In Music We Trust). Review by Matt Cibula.
Super 12 (Reel To Reel). Review by Stein Haukland.
Strangeways (Mt. Fuji / Roam). Review by Stein Haukland.
The Pathetic Aesthetic (Pandacide). Review by Kurt Channing.
F (Morticia). Review by Daniel Mitchell.
Slash And Burn: The Best of BoDeans (London / Slash / Rhino). Review by James Mann.
Circus Town (Sideburn). Review by James Mann.
Provisions, Fiction and Gear (Virgin). Review by Matt Cibula.
Shinebox (Sugar Hill). Review by Terry Eagan.
Gangway (Shut Eye). Review by Terry Eagan.
There is Something Wrong With You (EggBert). Review by Sean Slone.
II (BMG). Review by Marcel Feldmar.
Know Your Enemy (Virgin). Review by Nathan T. Birk.
Here’s Luck (Palm Pictures). Review by Sean Slone.
Marrying British psychedelia to American jangle pop and roots music may sound like an odd combination, but this band’s heartfelt dedication and songcraft makes it work. Terry Eagan makes a call on The Red Telephone, and singer/guitarist Matt Hutton answers.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.