the innocence mission
Midwinter Swimmers (Therese Records). Review by Peter Lindblad.
Midwinter Swimmers (Therese Records). Review by Peter Lindblad.
Happy Birthday, Ratboy. Review by Julius C. Lacking.
Still (Rhymes Of An Hour Records). Review by Michelle Wilson.
Dum Dum Girls top a promising indie rock bill that woos Jen Cray into downtown Orlando in the midst of St. Paddy’s Day madness.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.
Winter Honey (Seksound). Review by Aaron Shaul.
Under the Sun. Review by Robert M. Sutton.
Moenie and Kitchi (FatCat). Review by Jen Cray.
O (Team Love). Review by Jen Cray.
Dodging fights in the streets, Jen Cray made it inside The Social for a gorgeous evening of dreamy indie pop courtesy of Robbers on High Street and Great Northern.
We Walked in Song (Badman Recording Co.). Review by Aaron Shaul.
Why Do You Do? (Gringo). Review by Aaron Shaul.
A.M. Vibe (Silver Girl). Review by Aaron Shaul.
The Great Beast February EP and Comasynthesis EP (Slowdance). Review by Dan Stapleton.
I Hope (Darla). Review by Phil Bailey.
Static & Silence (DGC). Review by David Schneer
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.