If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
S/T (Dischord). Review by Scott Adams.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process — and lack thereof.
Sex Change (Thrill Jockey Records). Review by Andrew Coulon.
Bastion of Itchy Peeves (Northeast). Review by Daniel Mitchell.
ambient,art,indie,Cerberus Shoal,Bastion of Itchy Peeves, Northeast Indie,Daniel Mitchell
Little Green Leaves (K). Review by Daniel Mitchell.
Zenith (Guilt Ridden Pop). Review by Kiran Aditham.
Brighton Park (Someoddpilot). Review by Marcel Feldmar.
Trans Am, with Laddio Balako, the Fucking Champs, and Neil Hamburger, at I-Spy in Seattle, Wa on September 21, 2000. Concert review by Marcel Feldmar.
Futureworld (Thrill Jockey). Review by Chad Bidwell
Event Review by Chad Bidwell
The Surveillance (Thrill Jockey). Review by Chad Bidwell
From an underground band that pioneered the thrash metal sound, to arguably the biggest rock act in the new millennium, Metallica has had a long and tumultuous history. Ben Apatoff scours a myriad of sources to catalog this history in his new book.
Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.
A woofin’ good time with cuts from Hank Williams, Muddy Waters, Delta Moon and more from KMRD 96.9, Madrid, New Mexico!
Absurdism with a healthy dose of air conditioning.
Like pre-teens throwing every liquid into the kitchen blender and daring each other to drink the results, Woody and Jeremy fuse all manner of sounds legitimate and profane into some murky concoction that tastes surprisingly good.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Searching for the Disappearing Hour (Pyroclastic Records). Review by Bob Pomeroy.
Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.
A classic children’s tale re-imagined by America’s greatest composers.
