Mixtape 108 :: Jaan Pehechaan Ho
If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
S/T (Dischord). Review by Scott Adams.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Sex Change (Thrill Jockey Records). Review by Andrew Coulon.
Bastion of Itchy Peeves (Northeast). Review by Daniel Mitchell.
ambient,art,indie,Cerberus Shoal,Bastion of Itchy Peeves, Northeast Indie,Daniel Mitchell
Little Green Leaves (K). Review by Daniel Mitchell.
Zenith (Guilt Ridden Pop). Review by Kiran Aditham.
Brighton Park (Someoddpilot). Review by Marcel Feldmar.
Trans Am, with Laddio Balako, the Fucking Champs, and Neil Hamburger, at I-Spy in Seattle, Wa on September 21, 2000. Concert review by Marcel Feldmar.
Futureworld (Thrill Jockey). Review by Chad Bidwell
Event Review by Chad Bidwell
The Surveillance (Thrill Jockey). Review by Chad Bidwell
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.