If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
S/T (Dischord). Review by Scott Adams.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Sex Change (Thrill Jockey Records). Review by Andrew Coulon.
Bastion of Itchy Peeves (Northeast). Review by Daniel Mitchell.
ambient,art,indie,Cerberus Shoal,Bastion of Itchy Peeves, Northeast Indie,Daniel Mitchell
Little Green Leaves (K). Review by Daniel Mitchell.
Zenith (Guilt Ridden Pop). Review by Kiran Aditham.
Brighton Park (Someoddpilot). Review by Marcel Feldmar.
Trans Am, with Laddio Balako, the Fucking Champs, and Neil Hamburger, at I-Spy in Seattle, Wa on September 21, 2000. Concert review by Marcel Feldmar.
Futureworld (Thrill Jockey). Review by Chad Bidwell
Event Review by Chad Bidwell
The Surveillance (Thrill Jockey). Review by Chad Bidwell
Recently on Ink 19...
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.