I, Doll
This collection of anecdotes and reveries of the infamous New York Dolls from their bassist, Arthur “Killer” Kane, has Carl F Gauze thinking better of getting the old band back together.
This collection of anecdotes and reveries of the infamous New York Dolls from their bassist, Arthur “Killer” Kane, has Carl F Gauze thinking better of getting the old band back together.
Wagner’s War (Blood and Guts Music). Review by Matthew Moyer.
The Neon God: Pt. 2 - The Demise (Sanctuary Records). Review by Daniel Mitchell.
Still Hungry (Spitfire Records). Review by Vinnie Apicella.
The Neon God (Sanctuary). Review by Stein Haukland.
Blackie Lawless,Dying for the World,The Headless Children,Sister Sadie,Asylum #9,Red Room of the Rising Sun,Tomorrow Never Knows Tommy ,W.A.S.P.,The Neon God,Sanctuary,Stein Haukland
Dying For the World (Sanctuary). Review by Stein Haukland.
Morning Star (Koch). Review by Stein Haukland.
Unholy Terror (Metal-Is). Review by David Lee Beowulf.
Event Review by Carl F Gauze
Helldorado (CMC International). Review by David Lee Beowülf
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Altitude (Snakefarm). Review by Jeremy Glazier.
Phil Bailey talks with Ben Model, the Renaissance Man smashing silent film stereotypes through his boutique label, Undercrank Productions.
In the news today: Blonde Redhead, Christine and the Queens, Paramore, Hayley Williams, Ron DeSantis, Tina Turner, Beyoncé, The Good Place, Architects, Succession, Tour News, Pulp, Taylor Swift, Steve Albini, Nirvana, Mae Muller, Succession, Roy Boys, Summer Playlist, Gogol Bordello, Ukraine, Jello Biafra, Tre Cool, Joe Lally, Agnostic Front, King Gizzard and the Lizard Wizard, Jeff Rosenstock
A Tribute to Flatt & Scruggs (Americana Vibes). Review by Judy Craddock.
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The Aggrolites take a break from Punk Rock Bowling to announce a sweet summer tour with The Aquabats.
Redd Holt, GRAMMY-winning jazz percussionist and songwriter, passed away May 23, 2023 after a bout with cancer.
Carl F. Gauze digs into Sydney Pollack: A Subliminal Existentialist, a detailed look at the cinematic works of Sydney Pollack from the prolific Wes D. Gehring.
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