Grant Lee Phillips
Mobilize (Rounder). Review by James Mann.
Music, media, and thought from the Ink 19 editorial team
Mobilize (Rounder). Review by James Mann.
We’re so pleased that Charles DJ Deppner has joined the Columns fold that we’re offering a sneak preview of his spanking new Iceberg Defect column. For your eyes only!
Live @ WREK 6/5/01 (self-released). Review by Roi J. Tamkin.
Love Seed Mama Jump (Artemis). Review by Jo Watson.
Run Come Save Me (Big Dada/Ninja Tune). Review by Kiran Aditham.
It’s a spooky Halloween treat as the Columns-Keeper gives us a guided tour of the “last stop” for columnists, the Columns Graveyard! What the hell?
Ron Fountenberry’s eclectic, hooky pop music more than lives up to his ostentatious-sounding alias. Julio Diaz talks stage names, fashion, and music biz politics with The Incredible Moses Leroy.
It may seem implausible that a group of British convicts could become gardening champs, but Joel Hershman’s new film Greenfingers is actually loosely based on a true story! Carl F. Gauze lets you know whether this film deserves a (green) thumbs up.
Spin Psycle (Moonshine). Review by Kiran Aditham.
The ups, downs, ins, and outs of the music biz are only barely fictionalized in David Menconi’s new book, Off The Record. Ian Koss gives the book a spin.
Lost Together (J-Bird). Review by Vanessa Bormann.
Shinebox (Sugar Hill). Review by Terry Eagan.
Uncivilization (Sanctuary). Review by Nathan T. Birk.
Take The Town (Intellectos). Review by Kurt Channing.
As part of the spotlight on new writers at Columns, we’ve got a special preview of Marshall Presnell’s look at 21st Century design successes and failures. 2 Up 2 Down, give it a shot.
Is This It (RCA). Review by Terry Eagan.
Neither Of Gods and Annihilation (Hammerheart). Review by Nathan T. Birk.
Bash Bish (Oomph!). Review by Anton Warner.
It Began in Afrika (Astralwerks). Review by Kiran Aditham.
Just Me (Davy Jones Productions). Review by James Mann.
With his latest book, What This Comedian Said Will Shock You, celebrated stand-up Jedi Bill Maher “shocks” readers by doing the most outrageous, unthinkable, and socially unacceptable thing imaginable: he speaks rationally, logically, and objectively.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.