Bob Mould
Blue Hearts (Merge). Review by Scott Adams.
Blue Hearts (Merge). Review by Scott Adams.
Sound Salvation takes on current events with a playlist addressing the current fight for racial and social justice in America and the battles playing out in the streets in the aftermath of the death of George Floyd.
Savage Young Du (Numero Group). Review by Scott Adams.
Invincible. Review by James Mann.
Afraid of Ghosts (Dangerbird Records). Review by Christopher Long.
Heart Explosion. Review by Carl F Gauze.
Copper Blue/Beaster EP & File Under: Easy Listening Reissues (Merge). Review by Eric J. Iannelli.
Tom “Tearaway” Schulte digs through a year’s worth of Outsight Radio playlists and reminisces about what he was really excited about in 2007.
Blowoff (Full Frequency). Review by Ben Varkentine.
Flip Flop (Yep Roc). Review by Sean Slone.
Blaze (Fat Wreck). Review by Stein Haukland.
Trading My Life (Equal Vision). Review by Daniel Mitchell.
The Engine of Commerce (Vital Cog). Review by Daniel Mitchell.
What Did For the Dinosaurs (Woronzow / Rubric). Review by Stein Haukland.
Valedictory Songs (Woronzow). Review by Stein Haukland.
Event Review by Keith Mercer
The Last Dog and Pony Show (Rykodisc). Review by James Mann
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.