Laszlo Gardony
Close Connection (Sunnyside Records). Review by Bob Pomeroy.
Close Connection (Sunnyside Records). Review by Bob Pomeroy.
Live In Stuttgart 1975 (Mute). Review by Bob Pomeroy.
Guardrails. Review by Bob Pomeroy.
When An Electric Storm. (Educational Recordings) Review by Bob Pomeroy.
New Hymn To Freedom (The Leaf Label Ltd). Review by James Mann.
Compass (Nonplace). Review by Carl F Gauze.
Star Stuff (Company Records). Review by James Mann.
Impredecible (World Village). Review by Bob Pomeroy.
III (Glitterbeat). Review by James Mann.
Astral Planes Drifter (Rainbow Pyramid). Review by Matthew Moyer.
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
The Lost Tapes (Spoon/Mute). Review by James Mann.
Antelope Freeway/Equinox Express Elevator (Impulse! ). Review by James Mann.
Bokoboko (Nonplace Records). Review by Carl F Gauze.
Bardo Pond (Fire ). Review by Matthew Moyer.
Secret Rhythms 4 (Nonplace Records). Review by Carl F Gauze.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.