M*A*S*H creator Mike Farrell takes a rental Prius on a cross-country book tour and ruminates on the 2008 political climate. Carl F Gauze suspects it’s a Hummer with a Prius shell.

Global Underground (Global Underground). Review by Carl F Gauze.

Nowhere does the line between Fantasy, Reality and Comedy blur more than in the music industry. Carl Gauze reports on the pseudonymous Mixerman’s journal of one album gone quite wrong. Or quite right, for the reader at home.

Burn Up & Shine (Frankly Mills Record). Review by Carl F Gauze.

Crazy (Nervous Records). Review by Carl F Gauze.

Three women deal with stray dogs and dysfunctional relations, then one of them dies and everyone else cries. Obviously, Carl F Gauze isn’t feeling Maggie Estep’s new novel.

Visions LTD EP (Gigolo Records). Review by Carl F Gauze.

This reissue of Chris Marker’s epic documentary about the rise (and fall) of Communist ideals in the 60s and 70s shows Carl F Gauze the dangers of blind faith in anything, be it a person or a theory.

All The Colors (Subtitled Audio). Review by Carl F Gauze.

Homage Au Passé (Lionsgate). Review by Carl F Gauze.

Everybody, Come Outside! (Lujo). Review by Carl F Gauze.

Histoire de Melody Nelson (Light In The Attic Records). Review by Carl F Gauze.

Manners (French Kiss Records). Review by Carl F Gauze.

I Am The Messer (Self Released). Review by Carl F Gauze.

Mystics (ESL). Review by Carl F Gauze.

The Pope visits Uruguay, and when the masses of expected tourists fail to materialize, the locals are left with plenty of unsold food and trinkets. Carl F Gauze enjoys the Dogme-indebted style.

Legendary drummer Bill Bruford recounts his life with Yes, King Crimson, and the Progressive Rock movement.

Sticks (ESL). Review by Carl F Gauze.

Todd Rundgren’s “Arena” tour passes through Orlando. The small show is so cozy, our own Carl F Gauze feels like he’s visiting a long lost friend.

Heartbreaker (Lujo). Review by Carl F Gauze.